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A unique photographic exploration of the impact of flooding on communities around the world due to climate events opens Saturday, May 1 at the Academy of NaturalSciences of Drexel University. Haiti (2008), Pakistan (2010), Australia and Thailand (2011), Nigeria (2012), Germany and The Philippines (2013),?England?and
As the oldest natural history museum in the Western Hemisphere, the Academy of NaturalSciences’ affiliation with Drexel University is a relatively new part of its history — the partnership was formed in 2011, nearly 200 years after its 1812 founding.
After Drexel and the Academy of NaturalSciences signed an historic affiliation on Oct. 26, 2011, the two Philadelphia institutions pledged to combine their strengths to mutually expand their global scientific reputations and capabilities. 2 New Ways to Research and Study the Art of Science.
Flooding on the Schuylkill River from Hurricane Irene, 2011. The program, which launched in 2011, is a 25-year effort to install stormwater runoff-absorbing green infrastructure and improve traditional infrastructure, easing the burden on our combined sewer system and reducing combined sewer overflows.
Around 2011, with these ideas in mind, I began to think about ways to depict the Pine Barrens, a place that I had previously never been to, but whose stories kept coming my way. DSK: I started working with film in the early 2000s to experiment beyond the visual art I created before that, primarily painting and drawing.
Acker became fascinated by French Creek as a nontraditional adult student at Allegheny College where she graduated with honors with a BS in EnvironmentalScience. in schools, nature-based nonprofits, urban arboretums and farms, and environmental centers. Click Here to learn more about the award winners.
It was paid for by private donors and installed in 2011. . Gazing forlornly out to Eldey and Geirfuglasker from Reykjanestá, Iceland, the Great Auk memorial was created by the American artist Todd McGrain as part of a series of bigger-than-life sculptures he has made of extinct birds known as “the Lost Bird Project.”
He was able to leverage support for his plan from important external actors, including historically adversarial environmental nonprofits and EPA policymakers, who were increasingly supportive of city efforts to use greenscaping practices to control sewage overflows.
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